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Evren Uysal
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🏛 A signature from Romans to show their power. Brought from Egypt.
The Nineteenth Dynasty Pharaoh Sety I quarried this obelisk from granite quarries in Aswan. Before his death, artists inscribed one face of the obelisk, which Sety intended to erect in the Temple of Re in Heliopolis. Sety's son and successor Ramesses II completed its inscriptions and set it up in Heliopolis; it was brought to Rome in 10 BC by command of Augustus, together with the Obelisk of Montecitorio, and placed on the spina of the Circus Maximus, followed three centuries later by the Lateran Obelisk. Like most Egyptian obelisks, the Flaminio Obelisk was probably one of a pair, but no trace of its mate has ever been found. In Sety I's dedicatory inscription on one side of the shaft, the king boasts that he would "fill Heliopolis with obelisks."
The obelisk was discovered in 1587, broken into three pieces, together with the Lateran Obelisk; and it was erected in the Piazza del Popolo by Domenico Fontana in 1589, at the command of Pope Sixtus V. Sixtus had the Septizodium demolished to provide the travertine for the obelisk's pedestal, among other building projects.[1]
In 1823 Giuseppe Valadier embellished it with a base having four circular basins and stone lions, imitating the Egyptian style.
🏛 Romalıların ihtişamını göstermek için attığı bir imza. Mısırdan getirilmiş.
The Nineteenth Dynasty Pharaoh Sety I quarried this obelisk from granite quarries in Aswan. Before his death, artists inscribed one face of the obelisk, which Sety intended to erect in the Temple of Re in Heliopolis. Sety's son and successor Ramesses II completed its inscriptions and set it up in Heliopolis; it was brought to Rome in 10 BC by command of Augustus, together with the Obelisk of Montecitorio, and placed on the spina of the Circus Maximus, followed three centuries later by the Lateran Obelisk. Like most Egyptian obelisks, the Flaminio Obelisk was probably one of a pair, but no trace of its mate has ever been found. In Sety I's dedicatory inscription on one side of the shaft, the king boasts that he would "fill Heliopolis with obelisks."
The obelisk was discovered in 1587, broken into three pieces, together with the Lateran Obelisk; and it was erected in the Piazza del Popolo by Domenico Fontana in 1589, at the command of Pope Sixtus V. Sixtus had the Septizodium demolished to provide the travertine for the obelisk's pedestal, among other building projects.[1]
In 1823 Giuseppe Valadier embellished it with a base having four circular basins and stone lions, imitating the Egyptian style.
🏛 Romalıların ihtişamını göstermek için attığı bir imza. Mısırdan getirilmiş.
⛪ Nice architecture.
The name of the church derives from the fact that it replaced a smaller one, that belonged to the Carmelites of the Province of Monte Santo in Sicily. It was built in 1662, on the initiative of Pope Alexander VII, by Cardinal Girolamo Gastaldi, who was later buried there. The original design was the work of Carlo Rainaldi.
The works were interrupted on the dead of the Pontiff in 1667, then resumed in 1673 under the supervision of Gian Lorenzo Bernini and the cooperation of Carlo Fontana and finished in 1679, except for a belfry that was added in the 18th Century.
In July 1825 Pope Leo XII elevated the church to the dignity of Minor basilica.[1]
In this church, on 10 August 1904, Angelo Roncalli, the future Pope John XXIII, was ordained a priest; the event is remembered by a plaque affixed during his pontificate.
Since 1953 the church has become the seat of the "Mass of the artists", a singular initiative conceived in 1941 by presbyter and art historian Ennio Francia; after changing several places for worship, the liturgical event took place in the church in Piazza del Popolo, where every Sunday, for over sixty years, this Eucharistic celebration has been celebrated with representatives of the world of culture and art. It is also in this church that the funeral of people linked to the world of culture and television is often celebrated. For these reasons, it is also known as "Church of the artists".
🏛 Mimarisi hoştu.
The name of the church derives from the fact that it replaced a smaller one, that belonged to the Carmelites of the Province of Monte Santo in Sicily. It was built in 1662, on the initiative of Pope Alexander VII, by Cardinal Girolamo Gastaldi, who was later buried there. The original design was the work of Carlo Rainaldi.
The works were interrupted on the dead of the Pontiff in 1667, then resumed in 1673 under the supervision of Gian Lorenzo Bernini and the cooperation of Carlo Fontana and finished in 1679, except for a belfry that was added in the 18th Century.
In July 1825 Pope Leo XII elevated the church to the dignity of Minor basilica.[1]
In this church, on 10 August 1904, Angelo Roncalli, the future Pope John XXIII, was ordained a priest; the event is remembered by a plaque affixed during his pontificate.
Since 1953 the church has become the seat of the "Mass of the artists", a singular initiative conceived in 1941 by presbyter and art historian Ennio Francia; after changing several places for worship, the liturgical event took place in the church in Piazza del Popolo, where every Sunday, for over sixty years, this Eucharistic celebration has been celebrated with representatives of the world of culture and art. It is also in this church that the funeral of people linked to the world of culture and television is often celebrated. For these reasons, it is also known as "Church of the artists".
🏛 Mimarisi hoştu.